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<title>The Spectator.co.uk Scoff Blog</title>
<link>http://www.spectator.co.uk/scoff/blog/</link>
<description>The Spectator.co.uk Scoff Blog</description>
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<title>Spectator.co.uk</title>
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<copyright>Copyright 2009 Spectator (1828) Ltd.</copyright>




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       <title>Teach a Man to Fish</title>
       <link>http://www.spectator.co.uk/scoff/blog/5833448/teach-a-man-to-fish.thtml</link>
       <description><![CDATA[<p> <p class="MsoNormal" style="text-align:justify;line-height:150%;mso-pagination: none;mso-layout-grid-align:none;text-autospace:none">The late Robin Cook said of chicken tikka masala that it is &#8216;now Britain&#8217;s true national dish, not only because it is popular, but it is the perfect illustration of the way Britain absorbs and adapts external influences.&#8217;&#160;</p> <p class="MsoNormal" style="text-align:justify;line-height:150%;mso-pagination: none;mso-layout-grid-align:none;text-autospace:none">Britain&#8217;s love affair with Asian food is indeed quite remarkable and is probably the most heartening example of &#8216;multiculturalism&#8217; in action.</p> <p class="MsoNormal" style="text-align:justify;line-height:150%;mso-pagination: none;mso-layout-grid-align:none;text-autospace:none">Yet, unlike domestic cooking, the dominant method of consumption involves no preparation at home; we &#8216;go out for a curry&#8217; and &#8216;order in a Chinese.&#8217; Moreover, modern British variants tend to be dominated by quite a narrow range of regional cuisines: famously 90% of Indian restaurants are Bangladeshi-run, while Cantonese is the dominant form of Chinese.&#160;</p><p> This has led to an unfortunate homogenization of Asian cuisine with unvarying menus prevailing across the country.</p> <p class="MsoNormal" style="text-align:justify;line-height:150%;mso-pagination: none;mso-layout-grid-align:none;text-autospace:none">Often it seems the exotic nature of the ingredients intimidate aspiring chefs who generally turn to more immediately accessible French and Italian cuisines for inspiration. For my own part, I find Chinese supermarkets more of a curiosity than a place to purchase, even if there seems to be great value.</p> <p class="MsoNormal" style="text-align:justify;line-height:150%;mso-pagination: none;mso-layout-grid-align:none;text-autospace:none">In her]]></description>
       <author>Frank Armstrong</author>
	   <pubDate>2010-03-11T10:35:17+00:00</pubDate>
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       <title>Tortionata&#160;or Torta di Lodi</title>
       <link>http://www.spectator.co.uk/scoff/blog/5830628/tortionataor-torta-di-lodi.thtml</link>
       <description><![CDATA[<p> <p style="line-height: 150%;" class="MsoNormal">My Italian grandmother &#8211; known to us all as 'Nonna' &#8211; used to make a delicious almond shortcake called Torta di Lodi. She would always have one ready for visitors and grandchildren. It's a speciality of the eponymous town, on the banks of the river Adda in Lombardy, south of Milan. The cake itself is both crunchy and buttery, served broken into chunks &#8211; it's too crumbly to slice. It is sold in all the good <i>pasticcerie </i>in Lodi. The beauty of it is that it is really easy to make, especially if you have a food processor.</p> <p style="line-height: 150%;" class="MsoNormal">&#160;</p> <p style="line-height: 150%;" class="MsoNormal"><i>Tortionata</i> or Torta di Lodi</p> <p style="line-height: 150%;" class="MsoNormal">&#160;</p> <p style="line-height: 150%;" class="MsoNormal">200g plain flour</p> <p style="line-height: 150%;" class="MsoNormal">200g whole unpeeled almonds</p> <p style="line-height: 150%;" class="MsoNormal">200g butter</p> <p style="line-height: 150%;" class="MsoNormal">150g sugar</p> <p style="line-height: 150%;" class="MsoNormal">1 egg yolk</p> <p style="line-height: 150%;" class="MsoNormal">grated rind &#189; lemon</p> <p style="line-height: 150%;" class="MsoNormal">&#160;</p> <p style="line-height: 150%;" class="MsoNormal">Place all the ingredients in a processor and blitz till it forms a loose dough.</p> <p style="line-height: 150%;" class="MsoNormal">&#160;</p> <p style="line-height: 150%;" class="MsoNormal">Press into a&#160;buttered 25cm cake tin. With the back of a fork, form a pretty pattern of]]></description>
       <author>Chris Foulkes</author>
	   <pubDate>2010-03-10T11:09:03+00:00</pubDate>
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       <title>Oil On Canvas</title>
       <link>http://www.spectator.co.uk/scoff/blog/5828163/oil-on-canvas.thtml</link>
       <description><![CDATA[<p><p style="margin: 0px; font-family: Times New Roman; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal;">I want to tell you about cooking for George. G and I have known each other since we were four years old. I can remember him trapping his fingers in the hinges of a door during a game of hide-and-seek at the old mill where my family lived, and his whole hand being consequently bandaged with great pomp and ceremony; sulking on the day of the Grand National when during a family sweepstake I pulled the name of the horse he wished to back from the hat; I remember him breaking his arm and drawing with his left hand - still an hundred times better than anything I could do - and making an origami swan one New Year&#8217;s Eve when, as teenagers, my sister and I suddenly felt shy of him and his brother, who were growing handsomer by the minute.</p> <p style="margin: 0px; font-family: Times New Roman; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 15px;">&#160;</p> <p style="margin: 0px; font-family: Times New Roman; font-style: normal; font-variant: normal; font-weight: normal; font-size: 12px;]]></description>
       <author>Tilly Culme-Seymour</author>
	   <pubDate>2010-03-09T12:21:38+00:00</pubDate>
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       <title>Hardly Rucola Science</title>
       <link>http://www.spectator.co.uk/scoff/blog/5813958/hardly-rucola-science.thtml</link>
       <description><![CDATA[<p>It is always a source of surprise that pizza purveyors throughout the British Isles consistently get it all so terribly wrong, serving up soggy ersatz variants of probably the most enjoyable food on the planet. Anyone acquainted with the original Italian version - Naples is the true home of pizza - can only despair at the cement-like arrangement that finds its way into so many cardboard boxes.</p><p> What makes a good pizza then? According to Carla Capalbo in <em>The Food and Wine Guide to Naples and Campania</em>, the secret lies in its digestibility, and the key to this is a natural yeast starter, using Tipo &#8216;00&#8217; flour. Also, for it to be cooked at a very high heat, about 400 degrees, for just a minute and a half. It is that straightforward. Of course it helps if you can make a tomato sauce and your mozzarella is fresh, but simplicity is the key. A gourmand friend insists on always ordering margherita, arguing anything else is a shameful adulteration.</p><p> The emerging Franco Manca chain of pizzerias are one of the few pizzerias around who actually bother to install the ovens which allow for the high heat, and use the natural yeast]]></description>
       <author>Frank Armstrong</author>
	   <pubDate>2010-03-03T18:37:05+00:00</pubDate>
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       <title>FAREWELL</title>
       <link>http://www.spectator.co.uk/scoff/blog/5809683/farewell.thtml</link>
       <description><![CDATA[<p>Christmas 2008. We picked names out of a hat to buy presents for the River Caf&#233; staff party. On my piece of paper, crumpled and one of the last to go, was written: Rose.</p><p> I was in awe of Rose Gray when I started at the Hammersmith restaurant, with her legendary passion, skill and energy that had changed the way a generation cooked at home and transformed expectations of dining out in London. It was autumn and she was telling us all to go out and buy warm clothes for the impending winter. Wearing snug fur-lined boots, willowy tall, seated in the office flicking through a cookbook, it was the sort of moment any aspiring food writer, chef, or enthusiastic eater would find surreal, like meeting a film star.</p><p> Over the months I spent at River Caf&#233; I observed the influence Rose carried, the way the kitchen looked to her reverentially, the exacting arbiter of the highest and best Italian food. I also noted her influence in the way I was eating at my new friends' houses: the way what Rose cooked, and what Rose liked, filtered onto their tables too - not putting artichokes and tomatoes together in a]]></description>
       <author>Tilly Culme-Seymour</author>
	   <pubDate>2010-03-02T08:11:06+00:00</pubDate>
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       <title>Le Coup De Rice</title>
       <link>http://www.spectator.co.uk/scoff/blog/5799723/le-coup-de-rice.thtml</link>
       <description><![CDATA[<p> <p style="margin-bottom: 16pt;" class="MsoNormal">We&#8217;ve just returned from our eighth trip to India, where we love the food and have made dear friends among the people. The combination, however, can be hazardous to the unwary. <p style="margin-bottom: 16pt;" class="MsoNormal">One friend in Mumbai explained that there is such a strong tradition of hospitality in India that people will give their last chapati to a guest, and will often not eat at all until their guests have had their fill. <p style="margin-bottom: 16pt;" class="MsoNormal">In another Hyderabadi family which has adopted my partner and me as Uncle and Aunty, the first thing our beaming plump host did, as we sat cross-legged around a spotless cloth on the floor, was to unexpectedly flip a fried egg onto each of our plates. My partner ate both. There followed a succession of bowls of food: mutton, chicken curries, pieces of fish (pomfret) fried in a spicy batter, pickles, dhal, aubergine, okra, heaps of hot chapatis, sliced raw vegetables (carrot, cucumber, tomato) for &#8216;salad&#8217;, brought to us by the smiling women of the family, constantly refilling our plates. When we had managed to convince our host that we would collapse if we ate another bite, we were]]></description>
       <author>Lilian Lopez</author>
	   <pubDate>2010-02-25T11:33:02+00:00</pubDate>
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       <title>A Country Exile</title>
       <link>http://www.spectator.co.uk/scoff/blog/5790773/a-country-exile.thtml</link>
       <description><![CDATA[<p>It was September; pear and peach trees bowing, sunflowers blossoming, fig season in full swing, and the air clean and earthy. Cecinibbi promised convalescence and rebirth to the weary wayfarer. Having dispensed of a summer eating, drinking and cavorting, pre-recession, between Dublin, London and the sumptuous meat-garden of Buenos Aires, I had resolved to visit Italy. Cecinibbi, a Lilliputian hamlet nestled amid the textured undulations of Umbria, is characterised by olive groves, fruit trees and grapevines. There, the farmers, hunters, builders and bee-keepers are burnished and leather-skinned from decades of self-sufficiency. Its walls emanate aromas of stone-baked doughs, spit-roasting fowl and crackling garlic. </p><p> With tannic headache, a lingering fear of gout and the riot of twenty cigarettes stampeding in my lungs, I arrived, with my parents, at Rome Ciampino airport. A stalwart friend, Michael, had come to meet us; the septuagenarian engineer had eschewed fashionable London and salvaged the financial debris of numerous marriages, retiring to a farmhouse nearby. The house was roomy and modern, and had a similar cadence to our retreat. It was a sanctuary of art, literature, vegetable-growing, cooking and entertaining. <br /> &#160; <br /> In his usual manner of ungoverned kindness, Michael had motored]]></description>
       <author>Maggie Armstrong</author>
	   <pubDate>2010-02-22T11:27:11+00:00</pubDate>
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       <title>A Divine Recipe for Half-Term Weekend</title>
       <link>http://www.spectator.co.uk/scoff/blog/5785043/a-divine-recipe-for-halfterm-weekend.thtml</link>
       <description><![CDATA[<p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"><b>Chocolate fridge cake (Florentine style)</b></p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none"><b>By Sam Stern</b>&#160;</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none">This could be the richest, easiest chocolate cake ever. You don&#8217;t&#160; need to cook it. And it tastes a bit like posh Florentines. You can customise it to suit your tastes. Use all biscuit and raisins instead of the other dried fruit.&#160; Or vary the fruit and nuts or type of biscuit - try Rich Tea or HobNob. The mix of milk and dark <a href="http://www.divinechocolate.com/">Divine</a> chocolate makes for just the right base for this decadent tea-party special. &#160;</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none">200g&#160; Divine milk chocolate<br /> 100g&#160; Divine dark chocolate<br /> Finely grated rind of half an orange<br /> 4 tablespoons golden syrup<br /> 175g butter<br /> 175g digestive biscuits<br /> 125g raisins<br /> 100g glace cherries, washed, dried, quartered<br /> 75g dried apricots, finely chopped<br /> Handful of flaked almonds or chopped hazelnuts (optional)</p> <p class="MsoNormal" style="margin-bottom:16.0pt;mso-pagination:none;mso-layout-grid-align: none;text-autospace:none">Break the chocolate up. Tip it into a heatproof bowl. Add the rind, syrup and butter.&#160; Sit over a pan of gently simmering water, keeping the base of the bowl clear of the water.&#160; Leave to melt slowly, without stirring. Put&#160;the biscuits in]]></description>
       <author></author>
	   <pubDate>2010-02-19T11:41:23+00:00</pubDate>
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       <title>Apple and Walnut Cr&#234;pes with Clotted Cream</title>
       <link>http://www.spectator.co.uk/scoff/blog/5777773/apple-and-walnut-crpes-with-clotted-cream.thtml</link>
       <description><![CDATA[<p><p align="center"><b>Apple and Walnut </b>Cr<em>&#234;</em>pes<b> with Clotted Cream</b></p> <p align="center"><b>Serves 4</b>&#160; <br /> &#160;</p> <p align="justify">Cr&#234;pes are always popular. Making wafer thin cr&#234;pes can be a little tricky to begin with, but it will get easier. The key is to have a good non-stick pan. They are not expensive and it&#8217;s worth investing in one. &#160;</p> <p align="justify">Cr<em>&#234;</em>pe<b> Mix</b></p> <p align="justify">300ml milk</p> <p align="justify">1 medium egg</p> <p align="justify">1 egg yolk</p> <p align="justify">a pinch of salt</p> <p align="justify">100g plain flour&#160;</p> <p align="justify"><b>Apple and walnut filling</b></p> <p align="justify">1 large Bramley apple</p> <p align="justify">4 Granny Smith apples</p> <p align="justify">60g toasted flaked walnuts</p> <p align="justify">&#189; zest and juice unwaxed lemon</p> <p align="justify">20g unsalted butter </p> <p align="justify">40g castor sugar</p> <p align="justify">200g thick clotted cream&#160;</p> <p align="justify"><b>Caramel Sauce</b></p> <p align="justify">100g castor sugar</p> <p align="justify">200ml double cream&#160;</p> For the cr&#234;pe mix, pour all the ingredients into a bowl and whisk thoroughly. Pour the batter through a fine sieve and place into a container and cover. Refrigerate for 1-2 hours. Place a teaspoon of oil into a cr&#234;pe pan on a high heat, swirl the pan to distribute the oil. Once the oil is hot pour a ladle of the cr&#234;pe batter into the pan, swirling the]]></description>
       <author></author>
	   <pubDate>2010-02-16T00:04:29+00:00</pubDate>
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       <title>A Fantasy of Kimono with Curves</title>
       <link>http://www.spectator.co.uk/scoff/blog/5776323/a-fantasy-of-kimono-with-curves.thtml</link>
       <description><![CDATA[<p>The anthropologist Claude Levi-Strauss has identified copulation with eating, as both processes involve a union of two complementary elements &#8211; &#8216;une conjunction par&#160;complementair&#233;&#8217;.</p><p> This insight can be applied to how particular nations or cultures relate to their food. Thus, we might observe how the prudish sexuality of Victorian Britain coincided&#160;with the joyless, industrialised food of that time; or, how experimentation with food among the aristocracy in eighteenth-century France was accompanied by sexual&#160;proclivity.</p><p> What do you find, then, when you merge the buttock-enhanced exuberance of Brazilian sexuality with the eccentric fetishes that seem to prevail in Japan? Or,&#160;correspondingly, what emerges if the intricate sushi and &#8216;poisonous-in-the-wrong-hands&#8217; Blow Fish of Japanese cuisine is seduced by the tropical fruits and laid-back&#160;barbecues of Brazil?</p><p> I hoped to discover the nature of this crossbreed when I dined at Sushinho, a Japanese-Brazilian restaurant on the King&#8217;s Road which derives its identity from the million&#160;and a half ethnic Japanese now living in Brazil.</p><p> On arrival one is struck by the sharp lines and chrome finish, a style readily identifiable with the contemporary Japanese restaurant. The convivial benches of a Brazilian&#160;churrasco are nowhere to be found, but, thankfully, the dim lighting lessens the impact of the ultra-modern, and]]></description>
       <author>Frank Armstrong</author>
	   <pubDate>2010-02-15T11:03:58+00:00</pubDate>
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